“ Contemporary dance is too free ” − said a high school-aged audience member after the dance performance of Milan Tomášik called Treatise...

As I look back on the Drugajanje Festival and the critic’s residency, I take inspiration from the title of the larger project Beyond Front@; Bridging Peripheries . I ponder what it actually means to create connections between peripheral places, geographically and artistically. In this context, my role is the one of the critic, but since I am also an artist myself, as well as a curator, there are multiple layers to the ways in which I observe. A recurring question for me is ho